Publications
Agustí Nieto-Galan and Peter J. Ramberg, “Culture and Science: Chemistry Spreads Its Influence”, in A Cultural History of Chemistry in the Nineteenth Century, edited by Peter J. Ramberg, Bloomsbury. London, 2021, pp. 117-138.
https://www.bloomsbury.com/uk/cultural-history-of-chemistry-9781474294928/
Description
From prehistoric metal extraction to medieval alchemy to modern industry, chemistry has been central to our understanding and use of the physical world as well as to trade, warfare and medicine. In its turn, chemistry has been shaped by changing technologies, institutions and cultural beliefs. A Cultural History of Chemistry presents the first detailed and authoritative survey from antiquity to today, focusing on the West but integrating key developments in Egypt, Mesopotamia, and the Arabic-Islamic and Byzantine empires.
Chapter titles are identical across each of the volumes. This gives the choice of reading about a specific period in one of the volumes, or following a theme across history by reading the relevant chapter in each of the six. The themes (and chapter titles) are: Theory and Concepts; Practice and Experiment; Sites and Technology; Culture and Knowledge; Society and Environment; Trade and Industry; Learning and Institutions; Art and Representation.
The six volumes cover: 1 – Antiquity (3,000 BCE to 600 CE); 2 – Medieval Age (600 to 1500); 3 – Early Modern (1500 to 1700); 4 – Eighteenth Century (1700 to 1815); 5 – Nineteenth Century (1815 to 1914); 6 – Modern Age (1914 to the Present).
The page extent for the pack is 1728pp. Each volume opens with an Introduction and concludes with Notes, Bibliography, and an Index.
Lévy, S., Huertas-Maestro, M., & Huertas, R. (2021). The reception of psychodrama in Spain: Correspondence between Jacob Levy Moreno and Ramón Sarró. History of Psychology. Advance online publication. https://doi.org/10.1037/hop0000206
Jacob Levy Moreno, the well-known creator of psychodrama, had a close epistolary relationship with the Spanish psychiatrist Ramón Sarró; a collection of these letters has been located in the Sarró personal archive, deposited in the Library of Catalonia. After locating and arranging this correspondence, we proceeded to analyze and contextualize its contents. The analysis of this collection serves as a basis to outline the context in which the relationship between Moreno and Sarró developed, the role played by certain psychotherapy congresses in strengthening their relationships, and the process that resulted in the University of Barcelona awarding Moreno Doctor Honoris Causa. This study has allowed us to identify certain areas of how psychodrama was received in Spain during the 1960s and reflect on the creation of international collaboration networks and the creation of schools and professional and academic legitimation strategies in the wake of the approaches to group psychotherapy and psychodrama that Moreno developed while based in New York. (PsycInfo Database Record (c) 2021 APA, all rights reserved).
“‘Science in Action’: The Politics of Hands-on Display at the New York Museum of Science and Industry”, History of Science, Volume 59 Issue 2, June 2021 [Published online on June 8th 2018]; to be included within the forthcoming special issue ‘The Spatial Inscription of Science: Politics and Practices since 1900’, edited by Andrée Bergeron and Charlotte Bigg].
This article analyses the changing politics of hands-on display at the New York Museum of Science and Industry by following its urban deambulation throughout Manhattan, which went hand in hand with sharp shifts in promoters, narrative and exhibition techniques. The museum was inaugurated in 1927 as the Museum of the Peaceful Arts in the 7th and 8th floors of the Scientific American Building. It changed its name in 1930 into the New York Museum of Science and Industry while in the 3rd and 4th floors of the Daily News Building. And it was close to being renamed as Science Center when it finally moved in 1936 to the ground floor of the Rockefeller Center. The analysis of how the political agenda of the different promoters of the New York Museum of Science and Industry was spatially and performatively inscribed in each of its sites suggests that the boom of visitor-operated exhibits had nothing to do with an Exploratorium-like rhetorics of democratic empowerment. The social paternalistic ideology of the vocational education movement, the ideas on innovation of the early sociology of invention, and the corporate behavioural approach to mass communications are more suitable contexts in which to understand the changing politics of hands-on display in interwar American museums of science and industry.
https://journals.sagepub.com/toc/hosa/59/2
"Cultural Histories of Science in Franco’s Spain", Culture & History Digital Journal, Vol. 10 No. 1 (2021) [https://doi.org/10.3989/chdj.2021.v10.i1]
Editorial
Introduction to the Special Issue “Cultural Histories of Science in Franco’s Spain”, Enric J. Novella, Ricardo Campos
Dossier
Constructing “Pure” and “Applied” Science in Early Francoism, Agustí Nieto-Galan
The cultural significance of physics and evolution in Francoist Spain: continuity and development in the autarchic period, Clara Florensa, Xavier Roqué
From arsenic to DDT: Pesticides, Fascism and the invisibility of toxic risks in the early years of Francoist Spain (1939-1953), Silvia Pérez-Criado, José Ramón Bertomeu Sánchez
Atomic Routes and Cultures for a New Narrative on Franco’s Regime, Ana Romero de Pablos
Racism, Hispanidad and social hierarchy in medicalpsychiatric thought during early Francoism. The work by Misael Bañuelos (1936-1941), Ricardo Campos
“The Faustian spirit of the technical world”. Mental illness and cultural criticism in Franco’s Spain, Enric J. Novella
Between modernity and tradition: the formation of a psychoanalytical culture during the Franco dictatorship, Silvia Lévy Lazcano
"La venganza de la naturaleza. 50 narrativas en torno al medio ambiente". Col·lecció: Filmografías esenciales
We live in a world of environmental crossroads: pollution of land, air and water, overexploitation of resources, rampant greenhouse gas emissions, systematic destruction of ecosystems and biodiversity, and demographic and socioeconomic imbalances in the delusion of rampant consumption and our colonial, class, gender and race reclusions, which inevitably confront us with our ways of living and dying.With cinema, which offers us endless ways to look at ourselves in our communities, we can explore with peculiar narrative freedom our ways of understanding nature, our expectations, our misgivings, the profound contradictions in the way we organize ourselves and to build, historically, the environment in which we dream, suffer and love.Cinema shows us that the revenge of nature is nothing more than a terrifying pretext, and that the solutions of the destruction of the environment do not inhabit the realm of any kind of providence, but of our will.
A puzzling A puzzling marriage? UNESCO and the Madrid Festival of Science (1955), Clara Florensa and Agustí Nieto-Galan (eds), "Popular Science under Franco", History of Science (Febrary 2021).
From 17 to 22 October 1955, Madrid hosted the UNESCO Festival of Science. In the early years of the Cold War, in a dictatorial country that had recently been admitted into the international community, the festival aimed to spread science to the public through displays of scientific instruments, public lectures, book exhibitions, science writers professional associations, and debates about the use of different media. In this context, foreign visitors, many of whom came from liberal democracies, seemed comfortable in the capital of a country ruled by a dictatorship that had survived after the defeat of fascism in the Second World War and was struggling to gain foreign recognition after years of isolation.
This article analyzes the political role of science popularization in Madrid at that time. It approaches the apparently puzzling marriage between UNESCO’s international agenda for peace and democracy and the interests of the Francoist elites. Shared views of technocratic modernity, the fight against communism, and a diplomacy that served Spanish nationalism, paved the way for the alliance.
El Taxidermista de la plaça Reial és una crònica, escrita per Miquel Carandell, que recull la història del comerç singular que va obrir a finals del segle XIX a la Plaça Real, un relat explicat des d’una triple perspectiva, la històrica, l’emotiva de la mà de Núria Viladevall Palaus, besneta de Soler Pujol, i la construïda amb diferents testimonis.
A la vegada, la de la botiga és una història de ciència a la ciutat, una història que ens mostra la importància dels espais com les botigues pel desenvolupament científic, especialment, per generar espais de trobada i debat entre especialistes, professionals i no professionals. Alguns d’aquest últims van ser aficionats, col·leccionistes i artistes tant coneguts com Josep Maria de Segarra, Lluís Doménech i Torres (net de Doménech i Muntanter), Josep Pons Oliveras, Salvador Dalí, Gabriel Garcia Márquez, Pere Pruna, Jorge Wagensberg o els mateixos Joan Miró i Lluís Llach que s'aturaven davant els seus aparadors.
La idea de recopilar en un llibre la llarga història del “Museo Pedagógico de Ciencias Naturales” va sorgir de, Núria Viladevall Palaus, besneta de Lluís Soler Pujol, fundador de la botiga museu. El text rememora les meves vivències a partir de les olors que es generaven amb l’activitat de l’establiment. Aquest relat es complementa amb el text de Miquel Carandell, doctor en Història de la Ciència, que explica com Soler Pujol i els seus descendents van fer d’aquesta botiga singular un referent en el món de la taxidèrmia i, alhora, un espai de difusió de la història natural, de la ciència, un punt de trobada de col•leccionistes, científics, aficionats i curiosos. A més, el llibre que volem editar compta amb el testimoni de diverses persones que van conèixer l’establiment com l’escriptor i periodista Lluís Permanyer; el poeta i escriptor Vicenç Altaió; la directora de la Fundació SETBA, Cristina Sampere, Artur Ramon ; galerista d'art, entre d’altres.
https://www.verkami.com/projects/30317-el-taxidermista-de-la-placa-reial
Miquel Carandell Baruzzi, associate professor at the Institut d’Història de la Ciència, is the author of the book The Orce Man: Controversy, Media and Politics in Human Origins Research, which was just published by the prestigious academic research publisher Brill. The book, the outcome of his doctoral thesis read at the Institute in 2015 and directed by Oliver Hochadel, presents the history of the controversy surrounding Orce Man.
Discovered in 1982 in the Venta Micena site in Orce, Granada, Orce Man is a small fragment of a cranium which was unveiled to the public in 1983 as a vitally important ancestor of human beings. The fragment was regarded by its discoverers, Josep Gibert, Jordi Agustí and Salvador Moyà-Solà, researchers at the Institut Paleontològic de Sabadell, as the oldest hominid in Europe, the “first European”. The discovery garnered unexpected media, political and even scientific attention. One year later, the French partners of the Catalan researchers began to question the validity of the find. These doubts were funnelled to the press, where an intense controversy erupted which has lasted almost 30 years.
In this book, Carandell uses the tools, methodology and historiography of the history and sociology of science to present a chronological story of the Orce controversy, at times tracking the story as it developed day by day. This detailed attention attempts not to reveal whether or not the fragment called “Orce Man” was in fact human remains but to show under what circumstances, often social, political or even personal, certain scientific statements are credible and accepted by both experts and the public at large, while others are not. By situating the controversy within its historical, political, social and scientific context, this book shows how the line separating scientific success from failure is often narrower than what it may seem and is closely tied to its political attention and public perception.
Les transformacions d’Aristòtil. Filosofia natural i medicina a Montpeller: el cas d’Arnau de Vilanova (c. 1240-1311). Philosophy award Joaquim Carreras i Artau 2017 from the Institut d’Estudis Catalans (Barcelona: Institut d’Estudis catalans, 2020)
Arnau de Vilanova (c. 1240-1311), one of the most important physicians of the Latin Middle Ages, wrote an extensive medical work which contributed to the establishment of medicine as a science in the scholastic sense of the term. His medical works deals with a wide range of medical literature of the time and included a great variety of classical authors, among them Aristotle. The works of Theoretical Medicine include a large number of quotations and references to Aristotle, because of the use of Aristotle's Natural Philosophy to develop some medical formulations. Through these examples it seems clear that Arnau de Vilanova knew almost all the Aristotelian corpus, which was translated into Latin in the Medieval Ages and was assimilated into the syllabus of Arts and Philosophy, the Logic and the Natural Philosophy. This contributed to the development the nature of medicine and its task as a Knowledge, an Aristotelian scientia in which knowledge is derived from the principles of universal causes to specific effects. This idea should prevail simultaneously with the understanding of medicine as a technique, whereby practice plays an important role in the production of knowledge. Arnau de Vilanova used Aristotle as an authority, in an attempt to reconcile him with the field of medicine as practiced in his time. In so doing, he defined a new theoretical model of medicine according to the standards of Natural Philosophy, while continuing to emphasize the boundaries of the two disciplines.
Toxicos Invisibles presents little-known stories of environmental pollution throughout the 20th century. It transports us to certain places, industries, regions, where the connivance of experts with public administrations and private companies has silenced and made the main victims of toxicity invisible: workers, activists, citizens in general. Through a set of rigorous historical research, the book shows how sophisticated mechanisms for the construction of ignorance are activated in these environmental conflicts that make it difficult to properly regulate products and recover diseased spaces, degraded in an almost irreversible way.
Invisible toxics denounces our deregulated industrial societies, complacent with the risks of thousands of synthetic products that invade our lives, and at the same time an appeal to the responsibility of all to improve our living conditions.
Coordinated by Ángel Sala and Jordi Sánchez-Navarro, the publication has a contribution from Carlos Tabernero, member of the CEHIC and UAB professor.
The book is being published to commemorate the centennial of The Cabinet of Doctor Caligari, the first major classic fantastical and horror film, and it explores its vast cinematographic and cultural legacy. The reader will find different perspectives on the enormous influence of the plot, the staging and the narrative resources of the film in subsequent cinema and television, without ignoring the genesis of Caligari, the sociopolitical framework and the debates sparked by its interpretation throughout history.
Massimiliano Badino and Pietro Daniel Omodeo (eds.), Cultural Hegemony in a Scientific World. Gramscian Concepts for the History of Science. Historical Materialism Book Series, Volume: 221, Brill, 2020.
This volume in political epistemology offers a comprehensive discussion of the multiple applicability of Gramscian concepts and categories to the historical, sociological, and cultural analysis of science. The authors argue that the perspective of hegemony and subalternity allows us critically to assess the political directedness of scientific practices as well as to reflect on the ideological status of disciplines that deal with science at a meta-level – historical, socio-historical, and epistemological.
The IHC's Contributors include:
Chapter 1 Past and Present: Revisiting ‘Gramscianism’
Author: Agustí Nieto-Galan [pages 19–38]
Chapter 8 Using Gramsci’s Dialogical Approach: The Struggle for Meaning in Q&A Sections of the Spanish Press in the First Third of the Twentieth Century
Authors: Isabel Jiménez-Lucena, Jorge Molero-Mesa, and Carlos Tabernero-Holgado [pages 203–242]
Chapter 12 Philanthropy, Mass Media, and Cultural Hegemony: The Rockefeller Foundation and the Politics of Science Popularisation in the 1930s
Author: Jaume Sastre-Juan [pages 297–318]
“Philanthropy, Mass Media and Cultural Hegemony: the Rockefeller Foundation and the Politics of Science Popularization in the 1930s”, in Badino, Massimiliano; Omodeo, Pietro Daniel (eds.), Cultural Hegemony in a Scientific World: Gramscian Concepts for the History of Science, Leiden, Brill, 297-318.
In 1938 and 1939, the Rockefeller Foundation organised two confidential conferences ‘On the Interpretation of Science for a General Public’, commissioned an exhaustive survey of contemporary science popularisation in the United States and actively participated in international efforts in this field under the auspices of the Paris-based International Institute for Intellectual Cooperation of the League of Nations. The chapter places the interest of the Rockefeller Foundation in science popularisation at the intersection of two of its main concerns in the late 1930s, which were at the same time two key elements in the struggle for cultural hegemony in the United States: science and mass communications. It argues that a Gramscian approach, which understands science popularisation as a tool in the struggle for cultural hegemony, allows us to make sense of the Rockefeller Foundation’s interest in science popularisation in the late 1930s.
"The historical understanding of female premodern possessions. Problematizing some gender assumptions in the historiography on Teresa de Ávila and Jeanne des Anges", Women's History Review, 29:1, 2020, 125-141.
This paper discusses how to approach the history of female possessions today. By analyzing some recent contributions applied to two well-known historical figures: Teresa de Ávila (1515–1582) and Jeanne des Anges (1602–1665), I will problematize some of the ongoing history of female possessions. I intend a reflection on two of the current conceptual frameworks that feature the way history explains the subjective experience of these premodern possessed individuals. I focus on two kinds of interpretation: one I call the ‘neurotic’ interpretation, and the other the ‘subversive’ interpretation. Both constructions underpin explanations of women’s divine and demonic possessions, involving historiographical gender prejudices and ahistorical assumptions.
How do nuclear technologies become commonplace? How have the borders between the exceptional and the banal been drawn and redrawn over the last 70 years in order to make nuclear energy part of everyday life?
These are some of the questions addressed in ‘Fun and Fear: The Banalization of Nuclear Technologies through Display’, a recently published special issue of the journal Centaurus co-edited by the member of the CEHIC Jaume Sastre-Juan.
The translation of Freud's Complete Works by Luis López Ballesteros in 1922 placed Freudian ideas in the focus of Spanish specialists. There are numerous studies on the resistance and rejection with which these works were received. The Psicoanálisis y defensa social en España, 1923-1959 shows the other side: through the different dimensions of the life of the individual and the society to which psychoanalysis was applied, he realizes the success of its expansion, the reinterpretations and reappriations that took place between the twenties of the last century and in the Franco dictatorship. Silvia Lévy Lazcano presents in this work a rigorous discourse that accompanies initiates and newcomers in the knowledge of authors and their approach, through psychoanalysis, mental illness, psyche, human behavior and relationships, sexuality, gender identities and, in general, the gears of modern subjectivity.
Agustí Nieto-Galan argues that chemistry in the twentieth century was deeply and profoundly political. Far from existing in a distinct public sphere, chemical knowledge was applied in ways that created strong links with industrial and military projects, and national rivalries and international endeavours, that materially shaped the living conditions of millions of citizens. It is within this framework that Nieto-Galan analyses how Spanish chemists became powerful ideological agents in different political contexts, from liberal to dictatorial regimes, throughout the century. He unveils chemists' position of power in Spain, their place in international scientific networks, and their engagement in fierce ideological battles in an age of extremes. Shared discourses between chemistry and liberalism, war, totalitarianism, religion, and diplomacy, he argues, led to advancements in both fields.
The Dark Side of Molecules: Politics and Chemistry in the 20th century
“‘If You Tilt This Game, Will It Explode?’: The Politics of Nuclear Display at the New York Hall of Science, 1966-1973’”, Centaurus, 61(1), 2019, 33-50.
This article analyzes the politics of nuclear display at the New York Hall of Science in the late 1960s and early 1970s. The Hall of Science, which had its origins in the 1964-65 New York World’s Fair, featured hands-on atomic exhibits for children and projected a monumental Nuclear Science Center with the full support of the Atomic Energy Commission. The Nuclear Science Center, which would have been the biggest permanent display on nuclear science and technology in the United States, would have included the Atomarium as its most spectacular exhibit. At the Atomarium, visitors would have been able to watch a working nuclear reactor go critical from a spiral-shaped theater-in-the-round, while a demonstrator standing on a transparent plexiglass window located right above the core lectured on the peaceful uses of atomic energy. This article analyzes the Hall of Science as a space in which the tensions between nuclear exceptionalism and nuclear banalization were played out. In particular, the article explores how playful and immersive regimes of display were intended to play a political role in modulating nuclear fear at a period in which the promotion of a private nuclear energy industry by the Atomic Energy Commission encountered growing resistances to nuclear power plants.
“The Failed Technology Museum of Catalonia: Engineers and the Politics of the Musealization of Technology in Barcelona (1929-1939)”, Nuncius, 34(1),2019, 128-154.
In March 1937, the Technology Museum of Catalonia was created by a governmental order, but it never materialized. How come was a national museum of technology perceived as an urgent need in the midst of the Spanish Civil War? This article explores how this failed attempt was rooted in the long-standing political interest of the engineering community in the musealization of technology in Barcelona. On the one hand, it analyses the tradition of technological display aimed at increasing industrial productivity and improving technical education. On the other hand, it studies the techno-nationalist efforts by engineers to construct a respectable technological past for the nation through display. Finally, it explores how these two approaches would have been articulated in the Technology Museum of Catalonia in the context of the key role played by engineering professionals during the Spanish Civil War
The authors of this volume on science and international relations during the Cold War have analysed the new global scientific order which emerged after World War II with the same tools as those applied to the new political and economic order, with a focus on their instability and multipolar nature. How did the military and economic hegemony of the United States influence the new forms of scientific and technical research characteristic of the second half of the 20th century? How did science influence geopolitical balances? How was the new power of science shaped in the different regions of the planet? This book examines the transformations in the ways of doing science and science and technology’s contribution to shaping the world geopolitical map, focusing on the active role played by scientists and engineers in international relations.
"The changing nature of modernization discourses in documentary films". Science in Context, 2018, 31(1): 61-83.
Franco’s fascist regime in Spain (1939-1975) offers the possibility of exploring the complex relationship between media communication practices and the processes of production, circulation, and management of knowledge. The regime persistently used film, and later on television, as indoctrination and disciplining devices. These media thus served to shape the regime’s representation,which largely relied on the generation of positive attitudes of adherence to the rulers through people’s submission and obedience to experts. This article examines the changing nature of modernization discourses and practices, as a fundamental element of the regime’s propaganda strategies, and as portrayed in documentaries produced under its rule. The rhetoric of modernization involved an explicit deficit model of knowledge management, which aimed at legitimating the regime’s deeds and policies in its first decades, as we shall see regarding colonial-medical documentaries produced for the official newsreel in the 1940s. However, the focus of such rhetoric, despite its enduring political aims, had to somehow open up as the relationship between experts and non-experts changed, both in epistemological and practical terms, such as in wildlife documentary films produced for television in the 1970s, the regime’s last decade.
In 1917, a physicist nominated for the Nobel Prize published an extraordinary book brimming with luminous ideas on space, time and the universe. La relativitat a l’abast de tothom (Relativity: The Special and the General Theory) was the first accessible outline of a revolutionary theory that is an essential part of our knowledge of the physical world today. Albert Einstein was not yet a global celebrity, and Europe was enmeshed in a great war. One decade of work and discussion with friends and colleagues had culminated with the formulation of general relativity in Berlin, and he immediately decided to write the book to explain the theory to everyone, “because if I don’t they won’t understand it, simple as it is”. These words spoken to his friend and intellectual confidant, Michele Besso (1873-1955), were not harbouring any irony. Relativity is based on sensible reasoning associated with our common perception of movement and gravity. Can we perceive uniform movement? How does a falling person experience weight? Reflecting on these simple questions was the first step in shifting everything we had learned or thought we knew about light and the universe. This volume presents a new Catalan translation of Einstein’s classic with an introduction that situates the text and its author within the context of 20th-century history.
"Colonial scientific-medical documentary films in 1940s Spain as legitimating tools for Franco’s regime". Manguinhos, 24(2): 349-369.
This paper explores the role of film and medical-health practices and discourses in the building and legitimating strategies of Franco’s fascist regime in Spain. The analysis of five medical-colonial documentary films produced during the 1940s explores the relationship between mass media communication practices and technoscientific knowledge production, circulation and management processes. These films portray a non-problematic colonial space where social order is articulated through scientific-medical practices and discourses that match the regime’s need to consolidate and legitimize itself while asserting the inclusion-exclusion dynamics involved in the definition of social prototypes through processes of medicalization.
“Technological Fun: The Politics and Geographies of Amusement Parks”, in Hochadel, Oliver; Nieto-Galan, Agustí (eds.), Barcelona (1888-1929): An Urban History of Science and Modernity, London and New York, Routledge, 2016, 92-112.
This chapter argues that the emergence of the technological fun of amusement parks in Barcelona went hand in hand, in politically significant ways, with the dramatic urban transformations that the city experienced in the period 1888-1929. The chapter has two interrelated goals: on the one hand, to explore the politics of this standardised and mechanised fun; on the other hand, to explore the spatial patterns of the spread of amusement parks in Barcelona and how they reshaped the broader social geographies of fun.
"The city in waves: Radio Barcelona and urban everyday life”, in Hochadel, Oliver; Nieto-Galan, Agustí (eds.), Barcelona (1888-1929): An Urban History of Science and Modernity, London and New York, Routledge, 2016, 200-222.
Medicine and cinema are part of our day-to-day lives. We go to the doctor’s office or the cinema searching for some kind of relief and gateways to other worlds. And the doctor’s office and cinema, medicine and cinema, look askance at each other. Medicine wants cinema to look, explore and study, diagnose and operate, and uses it as an advertisement and propaganda tool to construct its authority. And cinema often draws from medicine because it works with routine experiences of health and disease, its fears and pleasures, its servitude and rebellion. Medicine and cinema go hand-in-hand with the everyday experience of life and death. And medicine is cinema because it means dreaming and questioning and struggling, as well as suffering and dying and loving. And this is why today cinema is also medicine.
“Pilgrimages to the Museums of the New Age: Appropriating European Industrial Museums in New York City (1927-1937)”, Science Museum Group Journal, Issue 6.
How did industrial museums cross the Atlantic? When the first American museums of science and industry were created in the 1920s, they looked to Europe in order to import what was seen at that time as a burgeoning cultural institution. In this article, I look at this process of appropriation through an analysis of the changing perceptions of European industrial museums as expressed in the reports, surveys and books written by the curators, directors and trustees of the New York Museum of Science and Industry. I will pay particular attention to the 1927 film Museums of the New Age, documenting the main national industrial museums in Europe, and to a 1937 report on the techniques of display at the Palais de la Découverte. I will argue that their contrasting assessment of European industrial museums, which in only ten years ceased to be seen as cathedrals of a new age to become old-fashioned storehouses, is symptomatic of the significant transformation of museums of science and industry as cultural institutions during the 1930s in the United States.
"Cine y medicina: imágenes sobre la salud y la enfermedad”. Brigidi S. (ed.) Cultura, Salud, Cine y Televisión. Tarragona, Publicacions de la Universitat Rovira i Virgili, pp. 257-294.
This chapter examines the multiple relationships between cinema and the health sciences, from the advent of the cinematographer in the late 19th century until today. The stress is necessarily twofold, encompassing both the way health science has used cinema and cinema professionals’ use of all aspects affecting the practice of medicine. The first part is devoted to the use of film as a scientific-technological development by basic medical research and clinical activity. The second section examines the use of cinema as an instrument of health propaganda, which is called education for health in contemporary societies. The third part examines the production of images on medicine, health and illness through fictitious cinema. Bearing in mind this and the intertextual relations with other kinds of cinema mentioned, as well as with other sources of images and stories, the intersections between medicine and fictitious cinema are surveyed around four interrelated strands of representation and articulation of medical-health practices and discourses: health professionals (especially doctors), patients, illnesses and public health activities. The final reflection focuses on the potentialities of using fictitious cinema in training health professionals.
VV. AA, "Col·leccions singulars a les biblioteques de la Universitat Autònoma de Barcelona", Bellaterra Servei de Publicacions de la Universitat Autònoma de Barcelona, 2013 .